I want it now!’ And Ryan said, ‘Woah! Woah! Woah! It’s on hold for Beyoncé.’ I want it right now! I don’t care that Beyoncé is on hold. This song is on hold for Beyoncé right now, but if for some reason it doesn’t end up being cut by her, are you interested in it for Leona Lewis?’ And Simon said, ‘Yes, I want it. So, Ryan sent the song to Simon Cowell and said, ‘Look, we’re not sure what’s going on. We sent it to, and an hour after that he put it on hold for Beyoncé.Ī month later, we were still waiting to hear back from them about when Beyoncé was going to cut the song, and we were getting a little nervous. Kidd Bogart, that’s not exactly the case: There was speculation that the song was given to Leona Lewis, but then taken instead by Columbia Records for Beyonce.

The music video, directed by Phillip Andelman, featured actor Michael Ealy as Bey’s love interest (he originally turned down the role in the video for “Irreplaceable”.) An alternative version surfaced in 2010 this includes omitted scenes with Ealy on the run from police officers before Bey finds him dead. “Halo” was one of 2009’s best-selling singles, and was the #1 song of the 2000s in Brazil. Similarities between “Halo” and Kelly Clarkson’s “Already Gone” – also composed by Ryan Tedder – sparked gossip that he had used the same tune for both songs. According to Bogart, the song was written specifically with Beyoncé in mind however, it was tentatively offered to Simon Cowell for his client Leona Lewis before Bey had recorded it. The song drew critical praise, but also many comparisons and a few controversies. “Halo” was released simultaneously with “Diva” on January 20, 2009. The pair drew inspiration from Ray LaMontagne’s “Shelter”. Kidd Bogart & OneRepublic’s Ryan Tedder, a day after Tedder had surgery on a broken Achilles' tendon, causing the cancellation of the band’s tour.

The intimate power ballad took home Best Female Pop Vocal Performance at the 52nd Grammy Awards, and has converted over 3 million digital units thus far. Equipped with emotional vocalizations and angelic overtones, the song remains one of Bey’s most magnificent and impressive songs. One of Bey’s most vocally demanding and optimistic works, “Halo” comes off as a centerpiece in the I Am… disc of Beyoncé’s third studio album.

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